Since I was young, school and university instilled in me that rhythm, order, tension, and symmetry, among other operations in design, were timeless canons for thinking and composing forms. Over the years, the spatial phrase in my mind turned into corporeal. Form, color, texture, and diversity amalgamated into a language I already knew to form my own. The compulsive control in the use of order and repetition in the forms studied in my youth result in the thought of how time saturates and wears down bodies, understanding how light showcased them, emphasizing that their dissidence and diversity are beauty to me.

With time, I understood that my landscapes were imperceptible situations for others, those that escape them from their common sense and scientific observation of feeling. My landscapes are formed by a subtle and fragile history, full of confluences and encounters, traces and exchanges of energies stemming from desire.

            My work stems from the object, the use of light, and the repetition of actions, as snippets of time in personal landscapes, pleasurable landscapes, or landscapes born from pain and madness, shown to understand memories with the intention of preserving or forgetting them forever.